Yanacopulos
Exposiciones
Explore a selection of solo and group exhibitions spanning more than three decades of artistic practice. From surrealist paintings to multidisciplinary projects, these exhibitions reflect Augusto Yanacopulos’s ongoing exploration of mythology, memory, transformation, and the human experience.
Sacred Madness:
A Retrospective
Friday, June 5, 2026
7:00 PM 10:00 PM
Agitator Artist Collective,
3851 W Fullerton Ave, Chicago, IL 60647, United States
This retrospective brings together Augusto’s easel paintings of mythological hybrids, nude figures in dreamlike landscapes, and poetic realities alongside documentation of his most celebrated stage designs. Yanacopulos celebrates the body in metamorphosis, Latin cultural memory, and the transformative power of art in Spanish. This exhibit is an invitation to dream through a body of work challenging imagination and conceptual borders.
Reflections
Friday, June 17, 2011
6:00 PM 11PM
La Llorona Art Gallery, 1474 W Webster, Chicago, IL 60614, United States
The exhibition of twenty-three oil paintings will feature the work of contemporary artis Augusto Yanacopulos. The exhibition has a playful and strong surrealist theme where Yanacopulos exposes psychological truth by stripping ordinary people and objects of their normal significance , in order to create his very personal analysis of life and dreams. The passages of Greek mythology, a theme running through his work, are the incarnations of images formed from his roots as a Greek descendent.
La Noche de
La Sagrada Locura
Friday, April 30, 2010
8:00 PM
South Works, 8500 South Brandon Ave, Chicago, IL 60617, United States
La Noche de La Sagrada Locura (The Night of the Sacred Madness) is a compelling series of expressive paintings by Augusto Yanacopulos that explores the delicate boundaries between intense psychological states, artistic obsession, and spiritual transcendence. True to Yanacopulos's distinct visual style, the canvas works feature bold, classical brushstrokes and deep, dramatic lighting that mimic the emotional weight of a theatrical stage. The exhibition's presentation by South Works Chicago—an artistic initiative and industrial-turned-creative community network rooted in the historic, gritty backdrop of Chicago's former southeast side industrial sector—provides a striking architectural contrast to the exhibition. The raw, cavernous, and stark environments typical of South Works events amplify the emotional turbulence of the paintings, grounding Yanacopulos's surreal, mythological, and "sacred" themes into a tangible, working-class Chicago landscape.
Angels…Boleros…and other Aberrations Exhibition
October 29, 1998
Ñandú Restaurant, 2731 West Fullerton, Chicago, IL 60647
In October 29, 1998, Chicago's Ñandú Restaurant hosted Augusto Yanacopulos’s solo exhibition, "Angels...Boleros...and other Aberrations." Sponsored by the Honorable Consuls of Chile and Mexico, Dr. Fernando Ayala and Dr. Leonardo Ffrench, the high-profile event highlighted the artist's deep ties to the Latin American community. The showcase featured Yanacopulos's signature oil paintings, blending classical techniques with vivid, surreal imagery. True to its title, the collection captivated diplomats and art enthusiasts alike by weaving together themes of divinity, mythology, and rhythmic cultural storytelling.
Voices in the Wind
Friday, October 11, 1996
6:00 PM 8:00 PM
Oak Park Public Library (curated by Tony Galigo), 834 Lake Street, Oak Park, IL 60301, United States
On Friday, October 11, 1996, the Oak Park Public Library hosted "Voices in the Wind," a collaborative art exhibition that brought local narratives to life through physical media. A focal point of the showcase was the collection of evocative oil paintings by Chilean-born, Chicago-based artist Augusto Yanacopulos. His canvases utilized classical fine art techniques to explore themes of mythology, cultural history, and deep human emotion. This display of vivid oil portraiture and storytelling perfectly complemented the exhibition's overarching theme of capturing fleeting, powerful cultural memories.
Around the Coyote International Art Exhibition
Art Festival - September 7th-10th, 1995
Curated Collective by Aldo Catillo
Paulina Art Center, 1735 North Paulina (Wicker Park), 1735 N Paulina St, Chicago, IL 60622
The Around the Coyote International Art Exhibition, held from September 7th to 10th, 1995, served as a vibrant epicenter for Chicago’s burgeoning Wicker Park and Bucktown arts community. During this multi-day multimedia festival, the historic Paulina Art Center (located at 1735 N. Paulina Street) hosted a compelling collective showcase organized by the influential Aldo Castillo Gallery. A standout highlight of this collective was the participation of visual artist Augusto Yanacopulos, whose featured work added distinct international depth to the exhibition's diverse lineup. By embedding Castillo’s curated collective within the broader festival, the presentation successfully bridges premier commercial gallery vision with raw, community-driven studio energy, marking a historic moment of creative synergy for Chicago's mid-90s contemporary art scene.
Hispanic Festival 1991 "Hispanic Art in Chicago"
October 14–November, 1991
Truman College, 1145 W Wilson Ave, Chicago, IL 60640, United States
The 1991 Hispanic Festival's third art exposition, "Hispanic Art in Chicago" (held from October 14 through November 1991 at 1145 W. Wilson Ave), served as a vital platform for celebrating regional cultural identity, featuring a diverse collective works exhibition that included the contributions of painter Augusto Yanacopulos. Set against the vibrant, multicultural backdrop of Chicago's Uptown neighborhood, this group showcase highlighted the rich visual tapestry and evolving narratives of the city's Latin American arts community. Yanacopulos’s participating pieces seamlessly integrated into the collective, utilizing his trademark blend of classical fine art technique, dramatic lighting, and deep mythological or cultural storytelling. By displaying his work alongside fellow Hispanic creators, the exposition underscored a shared dedication to bringing distinct heritage, emotional depth, and storefront artistic expression directly into the public consciousness of Chicago.
Hispanic Festival
Juried Art Exhibit
September 16, 1992
Museum of Science and Industry, 5700 S. DuSable Lake Shore Drive, Chicago, IL 60637
On September 25, 1990, the Museum of Science and Industry in Chicago served as the host venue for the 18th Annual Hispanic Festival Juried Art Exhibition. Organized in conjunction with National Hispanic Heritage Month, this prestigious competitive gallery was designed to highlight the profound cultural accomplishments and diverse contemporary talents of Latino creators. Artist Augusto Yanacopulos participated as a featured exhibitor, contributing his paintings to a highly selective arena that challenged mainstream underrepresentation by showcasing sophisticated, modern international styles. Displayed alongside a multi-day festival calendar of live theater, musical performances, and cultural seminars, Yiannopoulos’s paintings helped foster community dialogue and emphasize the deep artistic excellence thriving within the Hispanic art community.
“Sor Juana: La Decima Musa” Art exhibit
November 1st – 30th, 1988
Prairie Avenue Gallery, 1900 S Prairie Ave, Chicago, IL 60616
In November 1988, the Prairie Avenue Gallery in Chicago hosted a poignant cultural event titled “Sor Juana: La Décima Musa” (Sor Juana: The Tenth Muse) as an integral part of its annual “Día de los Muertos” (Day of the Dead) celebrations. This unique group exhibition honored the legendary 17th-century Mexican writer, philosopher, and feminist icon Sor Juana Inés de la Cruz, blending traditional remembrance with contemporary artistic commentary. Celebrated artist Augusto Yanacopulos participated in the exhibition, presenting paintings that engaged with the complex themes of mortality, intellectual legacy, and cultural identity inherent to the holiday. By placing Yanacopulos's work alongside other regional Latino artists, the gallery transformed traditional Day of the Dead motifs into a sophisticated visual dialogue celebrating historical memory and enduring creative expression.